- THE THORN IN THE FLESH
- GUMSUCKER
- YACKANDANDAH
- GUMSUCKER
- YACKANDANDAH
All of us know, whether or not we are able to admit it,that mirrors can only lie, that death by drowning is all that awaits one there. It is for this reason that love is so despertely sought and so cunningly avoided. Love takes off the masks that we fear we cannot leave without and know we cannot live within.
(James Baldwin, The Fire Next Time)
(James Baldwin, The Fire Next Time)
CREATURES 11’53” 2025
SYNOPSIS
During their visit to a natural history museum a young boy and his father try to understand one another's behaviour.
Creatures
11’53”
Teo In A Tree Films | International Filmmaking Academy
Synopsis
During their visit to a natural history museum a young boy and his father try to understand one another's behaviour.
CAST
DAVIDE FORNI
GIANFRANCO BOATTINI
CREW
Written and Directed by JAMES MENELAUS RUSH
Produced by MARINA KRUNIC,JAMES MENELAUS RUSH
Director Of Photography GUY HAMIEL
Edited by JAMES MENELAUS RUSH
Sound Recordist CAMILLA CERESONI
Sound Design and Mix NICK BATTERHAM
Colourist CHARLES ALEXANDER
Production Assistants
Kritika Khandelwal
Adelina Maria
Lorenza Tenderini
Elena Pignotti
FESTIVALS
2025 Revelations Perth International Film Festival
Director’s Statement
This project was created during the 2024 International Filmmaking Academy in its first year under the guidance of honorary president Ruben Ostlünd.The program takes place during Il Cinema Ritrovato, an annual pilgrimage for many filmmakers during which recently restored classics are premiered.
Seven selected directors, among others, were offered the opportunity to create a film in Bologna, Italy whilst undertaking daily masterclasses with auteur Andrey Zvyagintsev director of films Elena (2011), Leviathan (2014), Loveless (2017).
Tasked, with very limited means, to write, scout, cast, shoot and edit a film all basically within 7 days - this was a true test of experimentation, process and character.
Andrey was an assured teacher - distilled in his ethos of not only what it means to be a director, but how is it one can be taught by another to engage with the role. Is it possible? Or must it come from within.
This was my first time directing entirely in a foreign language that I do not speak. This provided interesting new perspectives and thoughts on the ways we physically communicate with one another.
Words and their natural tendency to distort truth were no longer at the forefront.
So I played with body language to cut through the miscommunication of words.
To cut through emotional distortion and reveal the meaning and power that can be offered and shared through silence.
Seven selected directors, among others, were offered the opportunity to create a film in Bologna, Italy whilst undertaking daily masterclasses with auteur Andrey Zvyagintsev director of films Elena (2011), Leviathan (2014), Loveless (2017).
Tasked, with very limited means, to write, scout, cast, shoot and edit a film all basically within 7 days - this was a true test of experimentation, process and character.
Andrey was an assured teacher - distilled in his ethos of not only what it means to be a director, but how is it one can be taught by another to engage with the role. Is it possible? Or must it come from within.
This was my first time directing entirely in a foreign language that I do not speak. This provided interesting new perspectives and thoughts on the ways we physically communicate with one another.
Words and their natural tendency to distort truth were no longer at the forefront.
So I played with body language to cut through the miscommunication of words.
To cut through emotional distortion and reveal the meaning and power that can be offered and shared through silence.